Writing has always been more than storytelling for me; it is about building a world that feels as real and immersive as the one we inhabit. With Malladay, I have created a place where history, folklore and adventure collide, a world that continues to evolve beyond the page.

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With the trilogy now complete, my focus has shifted to adapting Malladay for the screen.

I have completed the television adaptation of the entire Malladay trilogy. All three series are fully scripted — six episodes per series, each running to forty-five minutes — giving the story the space and structure it needs to breathe, develop and build across eighteen episodes of original drama.

Translating the novels into scripts has been a disciplined process of distillation, reshaping each book into a visual and pace-driven form while preserving the mythology, structure and emotional core that underpin the world.

The television format suits Malladay precisely.

One book per series allows the story to deepen gradually, the characters to grow with the audience, and the world to expand in the way it was always intended to. The result is a complete, screen-ready adaptation of the trilogy from first episode to last.

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Research remains central to everything I write. The Mabinogion and Historia Regum Britanniae by Geoffrey of Monmouth continue to inform the foundations of Malladay, anchoring its mythology in the deep-rooted legends of Britain, and particularly of Wales. That grounding allows the fantastical to sit alongside the real with a sense of continuity and belief.

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This transition into screenwriting marks the next phase of the project, opening the world of Malladay to new possibilities while remaining true to its origins.